• blog
  • formulas and processes
  • about
  • quarterly newsletter
Menu

Grainy Vision

  • blog
  • formulas and processes
  • about
  • quarterly newsletter
×

Ilford Warmtone RC, EXF4, print #8 after 1.5 hours, exposed for high contrast

Magic Lith Prototype Update #8 -- EXF4 "Pharoh Lith"

Ashley <3 December 31, 2019

Decided to do more testing with the EXF “Pharoh Lith” series. I found my way into a very interesting developer, though not ideal for all lith printing subjects. It definitely uses hydroquinone as the primary developer, and the blacks get nice and deep while highlights stay fairly gentle. However, midtones still develop relatively fast compared to black development. The end result is that this developer works great when you want to make a higher contrast print (say grade 4) with enhanced highlights, but it gives poor results when trying to make it lower contrast with more exposure, because everything becomes midtones that develop quite fast and it’ll be hard to get a good black level without all the midtones being fairly dark.

The formula I used:

  • 2g of hydroquinone in propelyne glycol (20ml of 10%)

  • 4g of ferrous sulfate heptahydrate

  • 60ml of triethanolamine (TEA)

  • 0.6g of bromide

  • 0.5g sodium hydroxide

  • 12g potassium carbonate

  • Final pH ~11

  • 2L of developer topped with water

The ideal order of mixing these components isn’t determined yet. The ferrous sulfate, hydroquinone, and TEA all react with each other and their environment in different ways. The exact order I mixed was ferrous sulfate, TEA, and carbonate in 2L. Then pour in the hydroquinone, then add the hydroxide and bromide. I’m fairly certain this is not the ideal method of mixing to avoid iron sludging that’ll stain prints though. The carbonate and hydroxide each do different things and I’m fairly certain that the ratios of them need optimizing.

This developer is a departure from EXF1, as it does not appear to give an iron image and will instead give fairly warm olive tones and colder shadows on warmtone paper. Fairly typical of a lith developer. Unlike a typical lith developer though, this will show consistent activity levels for at least 2 hours or 16 8x10 prints, and features a fairly fast development time at room temp. It is optimized for non-lithable Ilford RC papers right now. I tried some lithable paper and it developed too quickly and with no tonal separation. I believe the surplus of HQ is to blame there.

The exact chemistry of this developer is complex and probably beyond my capability of understanding, much less explaining, but I’ll try anyway. So, there is 4 different interactions in this developer. The end result is that the HQ is kept alive at a constant level for a relatively long time.

  • HQ: Oxidizes from exposure to oxygen in an alkaline environment to Q (benzoquinone). Also can oxidize to a semiquinone when developing (semiquinone is the key ingredient of infectious development). HQ will also oxidize Fe or Fe3 and convert to Q, while the semiquinone will oxidize Fe and Fe3 and convert to Q. The semiquinone will oxidize (I think) with oxygen to form either benzoquinone, or a degraded polymer quinone which can’t be reversed.

  • Ferrous (Fe2) Sulfate: Is photographically active in an acidic environment but seemed to have very little developing effect when at pH 11. Will reduce Q to HQ and convert to Fe3 ferric ions/sulfate (?). Also easily oxidized by oxygen in an alkaline solution to convert to Fe3. Can also combine with carbonate or hydroxide to form Ferrous Carbonate/Hydroxide. Ferrous carbonate seems to not be capable or extremely weakly capable of developing silver, but hydroxide appears to be capable and is why EXF1 has an iron image. Both compounds are only barely soluble and will mostly precipitate from solution.

  • TEA: Is a known silver solvent at the concentration being used but also functions as a chelating agent, capturing stray Fe2 and Fe3 ions. Seems to be inactive to HQ, but interacts with all iron atoms. It will reduce Fe3 to Fe2, and then Fe2 to Fe in an alkaline (>9 pH) solution. The exact reaction speed and conversion rates between each form of Fe varies depending on alkali used, even if kept at the same pH. Probably due to reaction differences with carbonate vs hydroxide forms of iron.

As you can see, definitely a lot going on, and why balancing this developer for ideal results will be more analytical than most things I do. Too much TEA and you end up with metallic iron that’ll oxidize the hydroquinone. Too little and the Fe2 won’t be stable. I believe the lack of midtone separation here is due to these ratios being unbalanced. In the middle there was some iron specks, but near the end there was absolutely no metallic iron I could see in the developer. In the middle the solution was more orange rust colored and clearly colored but transparent for the first hour (ie, I could see the print fairly well). As more printing and time passed it grew darker in color and with a more reddish hue, typical of oxidized hydroquinone developers. Throughout all development it had some very fine powder present which didn’t immediately sink to the bottom (ie, probably not metallic iron).

So, given the progress and end result, here is my hypothesis for how it is unbalanced.

  • Too much hydroquinone being kept alive, hence the overeager midtones. With less I believe that infectious development would be more of a source of development rather than hydroquinone itself. In a previous test with half the HQ, development speed was significantly reduced though

  • Unknown for sulfate? The solution should’ve stayed at least semi green for a while longer than it did. TEA is documented to preferentially reduce Fe3 to Fe2 before Fe2 to Fe. In theory with proper balancing, there should never be any Fe in solution. If I add less then in theory there is less Fe2 to be reduced to Fe. The Fe2 amount should be enough to keep the HQ alive and nothing more.

  • Unknown for TEA? I can’t tell if I should add more or less. With less there wouldn’t be any reduction of Fe2 to Fe, but also I believe overall tray life is definitely dependent on TEA amount, with the sulfate being more of a balancing agent that determines the rate of HQ decay. With more however there would probably be more reduction of Fe2 to Fe. Making sense of the cycle of interactions and metastability makes my head hurt.

I think for now I’m going to keep things simple with changes and try reducing hydroquinone and sulfate by half or even to a quarter, and keeping everything else the same aside from needed pH adjustments. In theory with less sulfate it would always just be kept alive by the TEA and more slowly restoring the HQ, giving more time for infectious development to occur from semiquinone activity. If there is any excess then it simply decreases HQ in solution and increases iron sludging problems. My hope is that TEA in such a balance doesn’t do much other than act as a weak silver solvent (ie, reducing grain) and otherwise sacrifices itself to keep both sulfate and HQ alive until eventually it’s completely oxidized and the developer is completely dead.

In experiment report Tags magic lith, darkroom, lith printing
← Magic Lith Prototype Update #9 -- EXH FailureEXG1, a bare bones glycin film developer →

Search Posts

No results found
Post Archive
  • experiment report
  • reference
  • Picture Sets
  • meta
  • Photography
  • in the margins
  • newsletter
 

Recent Posts

Featured
September 20, 2026
This exists again
September 20, 2026
Read more →
September 20, 2026
February 8, 2022
Research in progress (February 2022)
February 8, 2022
Read more →
February 8, 2022
double-xx+@+500.jpeg
January 11, 2022
Happy New Year! - A newsletter from Grainy Vision
January 11, 2022

Hi everyone and happy new year! The last email was… (checks notes) almost 2 years ago, but I figured it’s time to break the silence on the newsletter front. There’s been a great number of things done and written about since the previous email, so I’ll only cover the most interesting and the most recent.

Read more →
January 11, 2022
ilford mgv rc2.jpeg
December 16, 2021
GVL1 - Long Lasting Warmtone PQ Print Developer
December 16, 2021

Today I’m introducing an unexpectedly successful developer. I mixed this up just kind of guessing at ratios and just wanting to see what a dilute PQ print developer could do. The actual end result is a formula somewhat reminiscent of ID-78, a warmtone print developer formula created by Ilford, but with notable differences. The end result is a developer with a surprisingly good shelf life, tray life and contrast consistency across its life span. It also is a fairly unique developer producing warmtones which are resistant to going olive colored, instead it will go toward brown tones.

Read more →
December 16, 2021
GVM1 - A unique film developer for pushing, portraits, and landscapes
December 15, 2021
GVM1 - A unique film developer for pushing, portraits, and landscapes
December 15, 2021

Lately I’ve been doing more regular darkroom printing and this has left me in a bit of a slump. Although I love many of the developer formulations I’ve made, they’ve often not been designed explicitly for darkroom printing. EXG1/GVG1 would produce excellent negatives with increased speed, fine grain, etc… but in the darkroom it was often very difficult to get everything on the negative onto the paper without resorting to lith printing. This problem was only slightly improved with GVK1. GVK6 (yet to be published) has significantly improved this problem, but these developers also reflected the time in my life at which they were formulated. I was doing almost exclusively lith printing and with early ModernLith formulations I needed extended scale and moderately high contrast negatives… So GVK1 specifically was formulated with this aim. EXG1 was formulated when my main priority was getting the best scannable negative, which also benefits from a long density range. And now, I’m doing regular darkroom printing a lot, so it calls for a developer with a new aim.

GVM1 is recommended for:

  • Extremely smoothed portraits of light skinned people in controlled light

  • High contrast landscape scenes

  • Pushing film to use it at increased speed without greatly increasing contrast

  • Taming the contrast of very high contrast materials

  • Getting all of the image detail onto a print in the darkroom without great difficulty

Read more →
December 15, 2021
November 2, 2021
Lith Printing Densitometry Placeholder
November 2, 2021
Read more →
November 2, 2021
249773816_10222235527464311_1608421339047696831_n.jpeg
October 31, 2021
BasicLith, a dead simple lith developer formula for modern papers
October 31, 2021
Read more →
October 31, 2021
October 2, 2021
Intermission is done
October 2, 2021
Read more →
October 2, 2021

©2019-2026 Auburn Rhythm